PASSING TIME
Short Film

TECHNICAL DETAILS |
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| Production: | Bonivento Film |
| Country: | Italy |
| Year: | 2009/2010 |
| Shooting format: | 35 mm |
| Length: | 10 min |
| Projection format: | 35 mm |
| Aspect Ratio: | 1,85:1 |
| Language: | no dialogues |
| Subtitles: | not needed |
| Distribution: | Blue Suede Shoots |
Synopsis |
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In an ancient agricultural house, silence crushes the soul of an untamed eighteen year-old, Chiara. Tommaso, her beloved grandfather, lies dead in the bed of her parents. As family prepares for the conformist goodbye parade, Chiara turns against the vacuous play of pain and imposed roles. Taking contact with the tragedy of loss she'll find the courage to wear the clothes that suit her best, and so doing goes through death by forcing silence on the sense of paradox. |
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CREDITS |
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| Granfather | Giorgio Colangeli |
| Chiara | Simonetta Gorga |
| Mother | Barbara Piva |
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Father |
Fabio Massimo Amoroso |
| Director: | Laura Bispuri |
| Writer: | Francesca Manieri |
| Producer: | Claudia Bonivento |
| D.O.P.: | Vladan Radovic |
| Production design: | Ilaria Sadun |
| Editing: | Cristiano Travaglioli |
| Sound recordist: | Brando Mosca |
| Sound editing: | Antonio Barba |
| Music composer: | Nando e Giovanni Di Cosimo |
| Costume design: | Fiamma Benvignati |
Director Biography
Selected by producer Domenico Procacci to take part into the prestigious Fandango Laboratory, Laura Bispuri has worked for Fandango on several film sets. She also collaborated in the production of ten short films produced by Fandango and Sky, and worked in the event management department of Fandango.
In 2005 she worked as assistant director on several shorts: Mai dove dovremmo essere with Sergio Rubini and Mille metri basteranno, directed by Ludovica Rampoldi. In the same year she organized Fandango’s first festival "Ci siamo tanto amati” programmed at the Politecnico in Rome. In 2007 she directed the play L’altra Metà. Today Laura Bispuri is currently working for Current Tv, a new television network based on the Sky platform and the internet.
